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Études oleh Frédéric Chopin merujuk kepada tiga rangkaian étude (studi solo) untuk piano yang diterbitkan selama 1830-an. Secara keseluruhan, terdapat 27 karya, yang terdiri dari dua koleksi berisikan 12 karya, yang dinomori Op. 10 dan Op. 25, dan tiga lainnya tanpa nomor opus.^[1]

Daftar

Études Op. 10

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Serangkaian Études yang pertama diterbitkan pada 1833 (beberapa telah ditulis hingga seawal 1829) . Chopin pada saat ini berusia 23 tahun, dan telah tenar namanya sebagai seorang komponis dan pianis di salon-salon di Paris, tempat ia berkenalan dengan Franz Liszt. Setelahnya, Chopin mendedikasikan keseluruhan opus ini kepada Liszt – "à mon ami Franz Lisztcode: fr is deprecated " (untuk kawanku, Franz Liszt).

Etude 8, 9, 10 dan 11 ditulis pada Oktober/November tahun 1829, sementara nomor 5 dan 6 barangkali dari tahun 1803. Nomor 1 dan 2 ditulis pada 2 November 1830, nomor 12 pada September 1831 (?), nomor 7 pada musim semi 1832, nomor 4 pada 6 Agustus 1832, dan nomor 3 pada 25 Agustus 1832 (Paris) (Krystyna Kobylańska).^{[perlu rujukan lengkap]}

Nomor	Kunci	Potongan permulaan
No. 1	C mayor	$\new PianoStaff << \new Staff = "Up" \with { \magnifyStaff #3/4 } << \new Voice \relative c' { s^\markup{\italic legato} \f } \new Voice \relative c' { \clef treble \tempo "Allegro" \set Score.tempoHideNote = ##t \tempo 4 = 176 \key c \major \time 4/4 \change Staff = "Down" b16 \rest \sustainOn c, g' c \change Staff = "Up" e->-. c g' c e->-. c g' c \ottava #1 \set Staff.ottavation = #"8va" e->-. c g' c e->-. c g c, \ottava #0 e->-. c g c, e->-. c g c, e->-. c \change Staff = "Down" g c, \sustainOff }>> \new Staff = "Down" \with { \magnifyStaff #3/4 } \relative c { \clef bass \time 4/4 \key c \major \tieDown <c c,>1~<c c,> } >>$
No. 2	A minor	$\new PianoStaff << \new Staff = "Up" \with { \magnifyStaff #2/3 } << \new Voice \relative c' { \clef treble \tempo "Allegro" \set Score.tempoHideNote = ##t \tempo 4 = 144 \key a \minor \time 4/4 \stemUp a'16^\markup{\italic sempre \italic legato} ais b c cis d \< dis e f fis g gis a ais b c cis d dis \! e f e \> dis d cis c b bes a gis b a \! } \new Voice \relative c' { \stemDown <c e>16 \p s s s <e a> s s s <a d> s s s <d f> s s s <e a> s s s <a c> s s s <e a> s s s <c e > s s s } >> \new Staff = "Down" \with { \magnifyStaff #2/3 } \relative c { \clef bass \time 4/4 \key a \minor a8-. r <e' a c!>-. r a,-. r <f' a d>-. r <a,, a'>-. r <e'' a c!>-. r <a c! e>-. r r4 } >>$
No. 3	E mayor	$\new PianoStaff << \new Staff = "Up" \with { \magnifyStaff #3/4 } << \new Voice \relative c' { \clef treble \tempo "Lento ma non troppo" \set Score.tempoHideNote = ##t \tempo 8 = 100 \key e \major \time 2/4 \partial 8 \stemUp b8 \p \dynamicUp e_\markup{\italic legato} \< ^(dis16 e\!) fis4^(~fis16 \< gis \! gis \> fis \!) \slurUp gis4^> (s16) } \new Voice \relative c' { \stemUp s8 s4 dis4~\stemDown dis8 dis \stemUp e4 } >> \new Staff = "Down" \with { \magnifyStaff #3/4 } << \new Voice \relative c{ \clef bass \time 2/4 \key e \major \partial 8 \stemUp r8 gis'16 b gis b a b a b a b a b gis b gis b s16 } \new Voice \relative c { \stemDown s8 e,16 b'8_> b16 b, b'8_> b16 b, b'8_> b16 e, b'8_> b16 } \new Voice \relative c { \stemUp s8 e,4 b b e } >> >>$
No. 4	C♯ minor	$\new PianoStaff << \new Staff = "Up" \with { \magnifyStaff #3/4 } << \new Voice \relative c' { \clef treble \tempo "Presto" \set Score.tempoHideNote = ##t \tempo 2 = 88 \time 4/4 \partial 4 \key cis \minor \stemUp <gis' gis'>4^\markup{\italic con \italic fuoco} <cis cis'>8^. s s4 s16 s } \new Voice \relative c' { \stemDown \once \override NoteColumn.force-hshift = #1.7 gis''16 \f (fis e dis) cis \fp (dis bis cis dis e cis dis e fis dis e fis gis e fis \once \hide r16) } >> \new Staff = "Down" \with { \magnifyStaff #3/4 } \relative c { \clef bass \time 4/4 \partial 4 \key cis \minor \dynamicUp <gis gis'>4 <cis, cis'>8-. r \clef treble <fis'' a>-. r <e gis>-.^\markup{\raise #2 \italic cresc.} r <dis fis>-. r s16 } >>$
No. 5	G♭ mayor	$\new PianoStaff << \new Staff = "Up" \with { \magnifyStaff #3/4 } << \new Voice \relative c' { \clef treble \tempo "Vivace" \set Score.tempoHideNote = ##t \tempo 4 = 116 \time 2/4 \key ges \major \ottava #1 \override TupletBracket.bracket-visibility = #'if-no-beam \tuplet 3/2 8 {ges'''16^\markup{\italic brilliante} ([bes des,] ges ees ges des [ges bes,] des ges, bes} \ottava #0 \omit TupletNumber \tuplet 3/2 8 {ges16 [bes des,] ges ees ges des [ges bes,] des ges, bes)} } >> \new Staff = "Down" \with { \magnifyStaff #3/4 } << \new Voice \relative c{ \clef bass \key ges \major \dynamicUp <ges' bes des ges>8-. \f [<ges ces ees ges>-. <ges bes des ges>-.] r <ges, ges'>-. \p \sustainOn <ces' ees ges>-. \sustainOff [<bes des ges>-.] r } >> >>$
No. 6	E♭ minor	$\new PianoStaff << \new Staff = "Up" \with { \magnifyStaff #3/4 } << \new Voice \relative c' { \clef treble \tempo "Andante" \set Score.tempoHideNote = ##t \tempo 4. = 60 \time 6/8 \key ees \minor \partial 8 ges'8 \p \dynamicUp ges4.^(~ges4 \< f16 ees \! \hide r) } >> \new Staff = "Down" \with { \magnifyStaff #3/4 } << \new Voice \relative c{ \clef bass \key ees \minor \stemUp r8 bes'16_(ces a ces bes ges bes ces aes ces bes \change Staff = "Up" \stemDown ees) s } \new Voice \relative c{ \clef bass s8 ees2._\markup{\italic sempre \italic legatissimo} } >> >>$
No. 7	C mayor	$\new PianoStaff << \new Staff = "Up" \with { \magnifyStaff #3/4 } << \new Voice \relative c' { \clef treble \tempo "Vivace" \set Score.tempoHideNote = ##t \tempo 4. = 84 \time 6/8 \key c \major \partial 8 g'8 \p <e g>16 \< ^(<e c'> <f aes> \! <f d'> \> <d f> <d b'> \! <b d> \< <b g'> <c ees> <c a'> <d aes'> <d b'> \!) } >> \new Staff = "Down" \with { \magnifyStaff #3/4 } << \new Voice \relative c{ \clef bass \key c \major r8 <c, c'>-. r aes''->(g fis f) } >> >>$
No. 8	F mayor	$\new PianoStaff << \new Staff = "Up" \with { \magnifyStaff #3/4 } << \new Voice \relative c' { \clef treble \override Score.MetronomeMark.Y-offset=#9 \tempo "Allegro" \set Score.tempoHideNote = ##t \tempo 2 = 80 \time 4/4 \key f \major \partial 4 \afterGrace c''4 \f \trill ({b16 c} a'-> _\markup{\italic veloce} g f c a-> g f c a-> g f c \change Staff = "Down" \stemUp a^> g f c) } >> \new Staff = "Down" \with { \magnifyStaff #3/4 } << \new Voice \relative c{ \clef bass \key f \major r4 c2^(\acciaccatura b8) c-. d \rest \stemDown c_. b \rest } \new Voice \relative c{ s4 f,1 \sustainOn } >> >>$
No. 9	F minor	$\new PianoStaff << \new Staff = "Up" \with { \magnifyStaff #3/4 } << \new Voice \relative c' { \clef treble \tempo "Allegro molto agitato" \set Score.tempoHideNote = ##t \tempo 4. = 96 \time 6/8 \key f \minor r8 \p f-._\markup{\italic legatissimo} (g-.) r aes-. (bes-.) r_\markup{\italic cresc.} c-. \< (des-. c-. aes'-. g-. \! \hide r16) } >> \new Staff = "Down" \with { \magnifyStaff #3/4 } << \new Voice \relative c{ \clef bass \key f \minor \stemDown f,16 \sustainOn (c' aes' c, bes' c, \sustainOff) f, \sustainOn (c' c' c, des' c, \sustainOff) f, \sustainOn (c' c' c, bes' c, \sustainOff) f, \sustainOn (c' aes' c, bes' c, \sustainOff) s } >> >>$
No. 10	A♭ mayor	$\new PianoStaff << \new Staff = "Up" \with { \magnifyStaff #3/4 } << \new Voice \relative c' { \clef treble \tempo "Vivace assai" \set Score.tempoHideNote = ##t \tempo 4. = 152 \time 12/8 \key aes \major \partial 8 ees8 aes_\markup{\italic dolce} $<c aes'> (bes) <des bes'>-> (b) <d b'> (c) <ees c'> (cis) <e cis'>-> (d) <f d'> (\hide r8)$ } >> \new Staff = "Down" \with { \magnifyStaff #3/4 } << \new Voice \relative c{ \clef bass \key aes \major \stemDown \mergeDifferentlyHeadedOn r8 aes_\markup{\italic legato} \sustainOn ([c' aes ees ees' aes,]) aes, ([c' aes ees ees' aes, \sustainOff ]) } \new Voice \relative c{ \stemUp s8 s4. ees2 s4 ees2 } >> >>$
No. 11	E♭ mayor	$\new PianoStaff << \new Staff = "Up" \with { \magnifyStaff #3/4 } << \new Voice \relative c' { \clef treble \tempo "Allegretto" \set Score.tempoHideNote = ##t \tempo 4 = 76 \time 3/4 \key ees \major \partial 8 bes''8 (<bes, g' ees'>-. \arpeggio \fz) <bes g' bes> \arpeggio \p (<bes g' a> \arpeggio <bes g' bes> \arpeggio <bes g' c> \arpeggio <bes g' bes> \arpeggio \hide r16) } >> \new Staff = "Down" \with { \magnifyStaff #3/4 } << \new Voice \relative c{ \clef bass \key ees \major r8 ees,-. \sustainOn <ees' bes' ees> \arpeggio <ees bes' ees> \arpeggio <ees bes' ees> \arpeggio <ees bes' ees> \arpeggio <ees bes' ees> \arpeggio \sustainOff s16 } >> >>$
No. 12	C minor	$\new PianoStaff << \new Staff = "Up" \with { \magnifyStaff #3/4 } << \new Voice \relative c' { \clef treble \tempo "Allegro con fuoco" \set Score.tempoHideNote = ##t \tempo 4 = 160 \time 4/4 \key c \minor <b' d f g b>2-> \f r r r4 <aes ees' f aes>8.-> \< (<g g'>16 \!) } >> \new Staff = "Down" \with { \magnifyStaff #3/4 } << \new Voice \relative c{ \clef bass \key c \minor r8 aes''16_\markup{\italic legatissimo} (g f-> d ees d b-> g aes g f-> d ees d b-> g aes g f-> d ees d c-> g c g c-> g c g) } >> >>$

Études Op. 25

Koleksi Études kedua Chopin diterbitkan pada 1837, dan diperuntukkan kepada kekasih Frans Liszt, Marie d'Agoult, dengan alasan yang masih menjadi spekulasi.

Tanggal penulisan semua etude dalam opus ini adalah sebelum 30 Juni, 1835, yang menjadi tanggal sebuah kontrak antara Chopin dan Breitkopf & Hartel (pemberian hak penerbit di Jerman) (Krystyna Kobylanska).

Nomor	Kunci	Potongan permulaan
No. 1	A♭ mayor	$\new PianoStaff << \new Staff = "Up" \with { \magnifyStaff #3/4 } << \new Voice \relative c' { \clef treble \tempo "Allegro sostenuto" \set Score.tempoHideNote = ##t \tempo 4 = 104 \key aes \major \time 4/4 \partial 4 \override TupletBracket.bracket-visibility = #'if-no-beam \override TupletNumber.Y-offset = #3 \tupletSpan 8 \stemDown ees'4 \p (\tuplet 3/2 {ees16 \< \tiny aes, c ees, aes c} \omit TupletNumber \tuplet 3/2 {\normalsize ees16 \tiny aes, c ees, aes c \normalsize ees16 \tiny aes, c ees, aes c \normalsize ees16 \tiny aes, c ees, aes c \!} \hide r16) } >> \new Staff = "Down" \with { \magnifyStaff #3/4 } << \new Voice \relative c{ \clef bass \key aes \major \override TupletBracket.bracket-visibility = #'if-no-beam \override TupletNumber.Y-offset = #3 \tupletSpan 8 r4 \tuplet 3/2 {\stemUp aes,16 \sustainOn \stemDown \tiny ees'' aes c aes ees} \omit TupletNumber \tuplet 3/2 {\normalsize aes, \tiny ees' aes c aes ees \normalsize aes, \tiny ees' aes c aes ees \normalsize aes, \tiny ees' aes c aes ees} s16 } >> >>$
No. 2	F minor	$\new PianoStaff << \new Staff = "Up" \with { \magnifyStaff #3/4 } << \new Voice \relative c' { \clef treble \tempo "Presto" \set Score.tempoHideNote = ##t \tempo 2 = 112 \key f \minor \time 2/2 \partial 4 \override TupletBracket.bracket-visibility = #'if-no-beam \tupletSpan 4 c'4 \p (\tuplet 3/2 {c8_\markup{\italic molto \italic legato} [des b] c ees des c [des b!] c fis g} \omit TupletNumber \tuplet 3/2 {c, [des b] c ees des c [des b] c aes' f} \hide r16) } >> \new Staff = "Down" \with { \magnifyStaff #3/4 } << \new Voice \relative c{ \clef bass \key f \minor \tupletSpan 2 r4 \tuplet 3/2 {e \sustainOn (g' c,) bes! (g' c, \sustainOff) f, \sustainOn (aes' c,) aes (aes' c, \sustainOff)} s16 } >> >>$
No. 3	F mayor	$\new PianoStaff << \new Staff = "Up" \with { \magnifyStaff #3/4 } << \new Voice \relative c' { \clef treble \tempo "Allegro" \set Score.tempoHideNote = ##t \tempo 4 = 120 \key f \major \time 3/4 \partial 4 \stemDown c'4 _(f,8_\markup{\italic leggiero} [f']) c,_([c']) f,_(f') g,_([g']) c,,_([c']) g_(g') } \new Voice \relative c'{ \stemUp s4 d'16 c8. g16 f8. d'16 c8. d16 c8. a16 g8. d'16 c8. } >> \new Staff = "Down" \with { \magnifyStaff #3/4 } << \new Voice \relative c{ \clef bass \key f \major \stemDown \dynamicUp r4 \p c8 \sustainOn_([f, \sustainOff]) c' \sustainOn_([f, \sustainOff]) c' \sustainOn_([f, \sustainOff]) c' \sustainOn_([f, \sustainOff]) c' \sustainOn_([f, \sustainOff]) c' \sustainOn_([f, \sustainOff]) } \new Voice \relative c{ \stemUp s4 a'16 [f] s8 a16 [f] s8 a16 [f] s8 bes16 [e,] s8 bes'16 [e,] s8 bes'16 [e,] } >> >>$
No. 4	A minor	$\new PianoStaff << \new Staff = "Up" \with { \magnifyStaff #3/4 } << \new Voice \relative c' { \clef treble \tempo "Agitato" \set Score.tempoHideNote = ##t \tempo 4 = 160 \key a \minor \time 2/2 \partial 4 r4 r8 <e a e'>-! r <a e' a>-! r <a d a'>-! r <gis e' gis>-! } >> \new Staff = "Down" \with { \magnifyStaff #3/4 } << \new Voice \relative c{ \clef bass \key a \minor \dynamicUp e4-> (a,8-! \p) [<e' a>-!] c-! <a' e'>-! b,-! [<f' d>-!] e-! <b' e>-! } >> >>$
No. 5	E minor	$\new PianoStaff << \new Staff = "Up" \with { \magnifyStaff #3/4 } << \new Voice \relative c' { \clef treble \tempo "Vivace" \set Score.tempoHideNote = ##t \tempo 4 = 184 \key e \minor \time 3/4 \partial 4 b'4 \p <dis, b'>16^\markup{\italic leggiero} (e8.) <fis e'>16 (g8.) <ais g'>16 (b8.) <b g'>16 (a!8.) <gis fis'>16 (a8.) <c a'>16 (b8.) } >> \new Staff = "Down" \with { \magnifyStaff #3/4 } << \new Voice \relative c{ \clef bass \key e \minor r4 <e, b' g'>^\markup{\italic scherzando} \arpeggio r <g e' b'> \arpeggio <a e' c'> \arpeggio r <c a' e'> \arpeggio } >> >>$
No. 6	G♯ minor	$\new PianoStaff << \new Staff = "Up" \with { \magnifyStaff #3/4 } << \new Voice \relative c' { \clef treble \tempo "Allegro" \set Score.tempoHideNote = ##t \tempo 2 = 69 \key gis \minor \time 2/2 <b' dis>16_\markup{\italic sotto \italic voce} ([<cis e> <b dis> <cis e>] <b dis> <cis e> <b dis> <cis e> <b dis> [<cis e> <b dis> <cis e>] <b dis> <cis e> <b dis> <cis e> \hide r16) } >> \new Staff = "Down" \with { \magnifyStaff #3/4 } << \new Voice \relative c{ \clef bass \key gis \minor R1 s16 } >> >>$
No. 7	C♯ minor	$\new PianoStaff << \new Staff = "Up" \with { \magnifyStaff #3/4 } << \new Voice \relative c' { \clef treble \key cis \minor \override Score.TimeSignature.stencil = ##f \tempo "Lento" \set Score.tempoHideNote = ##t \tempo 4 = 40 \time 10/4 s2 s1 r \revert Score.TimeSignature.stencil \bar "\|\|" \time 3/4 } >> \new Staff = "Down" \with { \magnifyStaff #3/4 } << \new Voice \relative c{ \clef bass \key cis \minor \dynamicUp gis4 \p \< (dis'4. \! cis8 \> cis [bis \!] a'4. gis8 fisis16 \< gis a gis \! b \> a e eis fis eis gis fis a gis cis, dis \!) } >> >>$
No. 8	D♭ mayor	$\new PianoStaff << \new Staff = "Up" \with { \magnifyStaff #3/4 } << \new Voice \relative c' { \clef treble \key des \major \tempo "Vivace" \set Score.tempoHideNote = ##t \tempo 2 = 69 \time 2/2 \tupletSpan 4 \stemUp \override TupletNumber.Y-offset = #-3 \override TupletNumber.X-offset = #3 \tuplet 3/2 {<ges' ees'>8_\markup{\italic molto \italic legato}^([<aes f'> <ges ees'>] <aes f'> <ges ees'> <aes f'> <f des'> [<ges ees'> <g e'>] <bes ges'!> <aes f'> <f des'>)} } >> \new Staff = "Down" \with { \magnifyStaff #3/4 } << \new Voice \relative c{ \clef bass \key des \major \omit TupletNumber \omit TupletBracket \tuplet 3/2 {aes,8-.^\markup{\italic messa \italic voce} \sustainOn <c' aes'> ([<ees c'>] <aes ees'> <ees c'> <c aes'> \sustainOff) des,-. \sustainOn <des' aes'> ([<f des'>] <des aes'> <f des'> <des aes'> \sustainOff)} } >> >>$
No. 9	G♭ mayor	$\new PianoStaff << \new Staff = "Up" \with { \magnifyStaff #3/4 } << \new Voice \relative c' { \clef treble \key ges \major \tempo "Assai allegro" \set Score.tempoHideNote = ##t \tempo 4 = 112 \time 2/4 \stemDown bes'16_> \p (<ges' bes>_\markup{\italic leggiero} <ces, ces'>-.) <c c'>-. des_> (<aes' des> <ees ees'>-.) <des des'>-. ges,_> (<ees' ges> <aes, aes'>-.) <a a'>-. bes_> (<f' bes> <ces! ces'!>-.) <bes bes'>-. } \new Voice \relative c' { \stemUp bes'8 s des s ges, s bes } >> \new Staff = "Down" \with { \magnifyStaff #3/4 } << \new Voice \relative c{ \clef bass \key ges \major ges'8-. <des' ges>-. f,-. <aes des aes'>-. ees-. <ges bes ees>-. des-. <f bes f'>-. } >> >>$
No. 10	B minor	$\new PianoStaff << \new Staff = "Up" \with { \magnifyStaff #3/4 } << \new Voice \relative c' { \clef treble \key b \minor \tempo "Allegro con fuoco" \set Score.tempoHideNote = ##t \tempo 2 = 72 \time 2/2 \tupletSpan 4 \omit TupletBracket \tuplet 3/2 {<fis, fis'>8 \p ^(_$[<eis eis'> <fis fis'>] <g g'> <gis gis'> <a a'>$ <gis gis'>_\markup{\italic cresc. \italic poco \italic a \italic poco} _$[<fisis fisis'> <gis gis'>] <a a'> <ais ais'> <b b'>$} \hide r16) } >> \new Staff = "Down" \with { \magnifyStaff #3/4 } << \new Voice \relative c{ \clef bass \key b \minor \tupletSpan 4 \omit TupletBracket \tuplet 3/2 {<fis,, fis'>8 _$[<eis eis'> <fis fis'>] <g g'> <gis gis'> <a a'>$ <gis gis'> _$[<fisis fisis'> <gis gis'>] <a a'> <ais ais'> <b b'>$} s16 } >> >>$
No. 11	A minor	$\new PianoStaff << \new Staff = "Up" \with { \magnifyStaff #3/4 } << \new Voice \relative c' { \clef treble \key a \minor \tempo "Lento" \set Score.tempoHideNote = ##t \tempo 4 = 50 \time 2/2 e4 \p (e8. e16 e4 f e c \tempo 4=40 e2 \fermata) \tempo 4=50 <g, c e>4 \p ^(<g c e>8. <g c e>16 <g c e>4 <a c f> <g c e> <a c>_\markup{\italic rit.} \tempo 4=25 e'2 \fermata) } \new Voice \relative c'{ \stemDown s1 s s s2 <g c>4 <gis d'>_\fermata } >> \new Staff = "Down" \with { \magnifyStaff #3/4 } << \new Voice \relative c{ \clef bass \key a \minor R1 s4. r1 \fermata } \new Voice \relative c{ s1 s c4 (c8. c16 c4 f,4 c f c b4_\fermata) \bar "\|\|" } >> >>$
No. 12	C minor	$\new PianoStaff << \new Staff = "Up" \with { \magnifyStaff #3/4 } << \new Voice \relative c' { \clef treble \key c \minor \override Score.MetronomeMark.Y-offset = #10 \tempo "Molto allegro con fuoco" \set Score.tempoHideNote = ##t \tempo 2 = 80 \time 2/2 \stemUp \change Staff = "Down" ees,16^> \f ^([g \change Staff = "Up" ees' ees] g ees' ees g ees'^> [g, ees ees] g, ees ees \change Staff = "Down" g,) } >> \new Staff = "Down" \with { \magnifyStaff #3/4 } << \new Voice \relative c{ \clef bass \key c \minor \stemDown c,16 \sustainOn [g' c c] g' c c \change Staff = "Up" g' c [g \change Staff = "Down" c, c] g c, c g \sustainOff } >> >>$

Trois nouvelles étudescode: fr is deprecated

Trois nouvelles études ditulis pada 1839 sebagai sebuah kontribusi untuk Méthode des méthodes de pianocode: fr is deprecated , yaitu sebuah buku panduan piano yang ditulis oleh Ignaz Moscheles dan François-Joseph Fétis, dan tidak diberi nomor opus yang terpisah. Meski secara teknik tidak secemerlang yang hadir di Op. 10 dan 25, ketiga étude ini tetap mempertahankan formula asli Chopin untuk keseimbangan struktural dan harmoni.

Number	Key	Incipit
No. 1	F minor	$\new PianoStaff << \new Staff = "Up" \with { \magnifyStaff #3/4 } << \new Voice \relative c' { \clef treble \key f \minor \tempo "Andantino" \set Score.tempoHideNote = ##t \tempo 4 = 100 \time 2/2 \tupletSpan 2 \tuplet 3/2 {r \p (_$b c des bes f' e$ b _$c des bes f' e$ b _$c des c d} \hide r16 $) } >> \new Staff = "Down" \with { \magnifyStaff #3/4 } << \new Voice \relative c{ \clef bass \key f \minor R1 R R s16 } >> >>$
No. 2	A♭ mayor	$\new PianoStaff << \new Staff = "Up" \with { \magnifyStaff #3/4 } << \new Voice \relative c' { \clef treble \key aes \major \tempo "Allegretto" \set Score.tempoHideNote = ##t \tempo 4 = 50 \time 2/4 \tupletSpan 4 \omit TupletBracket \override TupletNumber.Y-offset = #-4 \tuplet 3/2 {r8 \p <ees aes c> (<ees aes c> <ees aes c> <des ees bes'> <des ees bes'>} \omit TupletNumber \tuplet 3/2 {<des ees bes'> <des ees aes> <c ees aes> <c ees aes> <c ees> <bes des ees>} \hide r16) } >> \new Staff = "Down" \with { \magnifyStaff #3/4 } << \new Voice \relative c{ \clef bass \key aes \major \stemDown aes8 ees' ees, ees' aes,, ees'' \stemUp ees,, ees'' s16 } \new Voice \relative c{ aes4 ees^~ees } >> >>$
No. 3	D♭ mayor	$\new PianoStaff << \new Staff = "Up" \with { \magnifyStaff #3/4 } << \new Voice \relative c' { \clef treble \key des \major \tempo "Allegretto" \set Score.tempoHideNote = ##t \tempo 4 = 132 \time 3/4 \partial 8 aes'8-. \p bes-._\markup{\italic dolce} aes-. bes-. aes-. bes-. aes-. g-. aes-. g-. aes-. ges-. aes-. \stemDown f_._\markup{\italic staccato} aes_. f_. aes_. des,_. ges_. } \new Voice \relative c{ \stemUp s1. s8 f''4^(f8 des bes c \hide r16) } >> \new Staff = "Down" \with { \magnifyStaff #3/4 } << \new Voice \relative c{ \clef bass \key des \major r8 R2. R des,4-. <des' aes' des>-. ges,-. s16 } \new Voice \relative c{ s8 s2. s2. s4. \sustainOn s4. \sustainOff } >> >>$